The details about the Palais Garnier, and rumours surrounding it, are closely linked in Leroux's writing. Using this accident paired with rumors of a ghost in that same opera house, Leroux wrote Le Fantôme de l'Opéra and published it in 1910, which was later published in English as The Phantom of the Opera. Leroux had heard the rumours about the time the opera house was finished: Act One of the opera Helle had just finished when a fire in the roof of the opera house melted through a wire holding a counterweight for the chandelier, causing a crash that injured several and killed one.

The setting of The Phantom of the Opera is the actual Paris opera house, Palais Garnier.

The novel was first published in newspapers before finally being published as a book. Because of his fascination with both Edgar Allan Poe and Sir Arthur Conan Doyle, he wrote a detective mystery entitled The Mystery of the Yellow Room in 1907, and four years later he published Le Fantôme de l’Opéra. With his job, he was able to travel frequently, but he returned to Paris where he became a writer. At the paper, he wrote about and critiqued dramas, as well as being a courtroom reporter. Leroux initially was going to be a lawyer, but after spending his inheritance gambling he became a reporter for L'Écho de Paris. This performance will take full advantage of Grace’s 7,500 pipe Aeolian-Skinner organ, a historic instrument installed in 1934 that has been played by many of the world’s great organists and earned a place in jazz history as well, being employed for the premiere of Duke Ellington’s Concert of Sacred Music in 1963 and pianist Vince Guaraldi’s 1965 Jazz Mass. Dubbed “The Man of a Thousand Faces,” Chaney created his own makeup for his role as the Phantom, and his unmasking is one of the most iconic moments in film history, reportedly causing audiences of the time to scream or faint. A scandal upon its release, The Phantom of the Opera was the first cinematic adaptation of Gaston Leroux’s 1911 novel concerning a spectral, disfigured composer living below the Paris Opera House and his unrequited love for a young opera singer. John the Divine, Papadakos has accompanied Phantom in venues around the world. Currently a member of the GRAMMY-winning Paul Winter Consort and former Cathedral Organist of New York’s Cathedral of St.

Phantom of the opera movie